Directors James L. Edwards and Brad Twigg collaborate to bring the horror nation a new anthology straight from the depths of hell. From “Tales From The Darkside” to “Trick R Treat,” anthology films are some of the most adored sub-genres in all of horror. The allure of getting several twisted tales for the price of one always gets horror hounds barking. While anthologies have a passionate fan base, the productions can be tricky, especially when an artist attempts a wraparound story to tie in the plot. Does “Brimstone Incorporated” deliver a new segmented production to join anthology terror titans?
Gregory bounds into his office, ready to start the day. His job is to counsel the recently departed, who just happen to have ended up in Hell. The case load for the day takes several unexpected turns. Kicking the day off is Richard, who just had the worst, “First Date,” ever. After connecting online with Renee, Richard has high hopes that he just found the love of his life. Before the date ends, Richard discovers that Renee is just a devil in disguise. Next up is Justin. A sweet young man who is just a “Mama’s Boy” at heart. Justin can not for the life of him understand why all of his girlfriends up and leave him with no warning. That is until he discovers his mother’s dark past. The last appointment of the day is one that has ramifications that could upset the hierarchy of Hell. Bennie is a shut in, who has spent over a decade inside his apartment. He makes a modest living by writing jingles, which his brother sells. Bennie’s brother really wants him to break free from his self-imposed prison, so he sends his recluse brother a care package with some special, “Skunk Weed.” Bennie strikes up the special blend to try and get the creative juices flowing. Instead, Bennie takes a bad trip that eventually leads to his demise.
Several elements make a good anthology film. All of the tales must captivate the viewer, the performances through each segment must maintain a high standard, and the tie in story must be relevant to each plot. “Brimstone Incorporated” nails all three. “First Date” kicks off the film with a quick paced and quick-witted diabolical diatribe on the dangers of online dating. Edwards and co-star Shianne Daye play off each other to the devilish delight of the audience. “Mama’s Boy” is the kind of short segment that screams for a full-length adaption. The brilliantly written plot is only topped by a terrific performance from Sasha Graham. Top marks to the effects team, who turn a sweet young girl into a vessel of horror. “Skunk Weed” is a psychological dive into depravity, a fair warning to avoid physical and mental seclusion. Once again, the effects team behind this segment pull off big budget quality practical effects on an indie budget. While some anthologies only give a slight nod to the central plot of an anthology film, this team puts together a well timed and well written wraparound tale that ties the film together and will have audiences eager to visit Greg again for another day at the office.
Scream Score: 8.5/10